The first thing I should mention is that the manga-ka for these four
volumes is not the same manga-ka as the one who did the original five
(although the concept comes from the same source). Instead they were
drawn by
Nishiomi Kyouko. It's
probably true to say that - as the
"PLUS" name denotes, they follow a slightly different storyline, with a
few conflicting events, changes in backstory, etc. I would say that the
"PLUS" volumes tie in more with the OVA and the Drama CDs because they
include Kusanagi and Sugita to some varying degree, but it's all
relative really. One thing that must be mentioned is that Kawazoe and
Arai's reunion is re-written in the 'PLUS' volumes in a slightly
different vein from in the original volumes. They were published in
Japan by Flower Comics from 1998.
The 'PLUS' volumes take the boys right the way up to graduation, and
somehow seem to show a closer 'bond' between the boys, perhaps because
of that fact. Being the geek I am, I especially like the developing
friendship (note,
friendship)
between Arai and Nakamoto :D But that's just me. On balance, I think I
like the PLUS volumes better than the original ones because of these
things.
第
一巻 Volume
One
Chapter One: Tomadoi no Kajitsu-tachi
This first chapter focuses largely on Nakamoto and his rather
enterprising family situation. Nakamoto receives a phone call from his
step-mother Kyouko asking him to come home for a few days. The reason?
His father wants to discuss with him the idea of an arranged marriage
meeting(!). Despite Nakamoto's protests that he's still in High School,
Kyouko is quite insistant that he comes, and in the end he agrees. This
call is overheard by Mikimaro and Katou, who want to know all about it
(!).
That night, Nakamoto is attempting to study while Arai is playing a
very noisy video involving fairly graphic scenes. When Nakamoto
complains about the noise, Arai pins him down and makes him watch it.
He also teases Nakamoto about his stepmother - suggesting that Nakamoto
likes Kyouko more than he should. This makes Nakamoto quite
flustered...probably because it's true.
Nakamoto heads home, as arranged, but discovers there's noone else
there except Kyouko. His father has been held up on business grounds
and his sister is away skiiing with friends. This makes him
uncomfortable, because of his feelings for Kyouko, and he tries to
excuse himself with the explanation that he has work to do and should
be heading back. However, Kyouko convinces him to stay and wait for his
father's return, and Nakamoto agrees. They cook together, and Nakamoto
finds he's having a fun time spending time with Kyouko, although
nothing inappropriate happens.
That night, when he's getting ready for bed, he sees Kyouko coming out
of the shower wrapped in just her robe. His feelings almost get the
better of him and he somehow falls on top of her, coming very close to
confessing his true feelings. Kyouko however interrupts him, begging
him to stop - and embarrassed, Nakamoto flees for the safety of his
room.
The next morning, Nakamoto is apologising to Kyouko for his instinctive
behaviour when his father and grandmother and sister arrive back home.
(At last we see Nakamoto's father!). His sister is surprised to see
him, and his father apologises for not having been there sooner. He
discusses with Nakamoto his ideas, without really expecting Nakamoto to
disagree and Nakamoto doesn't disagree, more or less accepting
everything his father has to say. He then mentions his report and that
he needs to get back to the dorm, and his father agrees - reminding him
that his grades are important for him to follow in the family's
footsteps.
As he goes to leave, Kyouko goes after him and asks him why he doesn't
want to get involved in the arranged match and Nakamoto tells her it's
only because he's still in High School. (He almost tells her his
feelings again, but stops, telling her its nothing). Kyouko suggests
she could talk to his father, but Nakamoto tells her there's no point
since his dad's mind is made up. Kyouko then tells him she had a lot of
fun yesterday when it had just been the two of them. At Nakamoto's
surprise, Kyouko then kisses him...^_^.
Back at the dorm, Nakamoto is spacing out, and Arai is yelling at him
to get his attention. Surprisingly Nakamoto asks Arai if a girl kisses
a guy she doesn't have feelings for. Arai finds this hilarious, much to
Nakamoto's mortification, but tells him that no, it's not the kind of
thing that normally happens. This gives Nakamoto the courage to call
his father and tell him that he's not ready to be thrown into an
arranged match just yet.
Chapter Two:
Trouble Traveller
For some reason best known to themselves, the boys from Seiryuu
Academy are on holiday in Guam (I think it's Guam, my katakana place
name reading sucks but it's the best I can make of it!). This is
Kusanagi Mizuho's first manga appearance, as we find him desperately
pulling strings to go along so that he can (ahem) watch the boys in
their swimsuits (no kidding). His poor, long-suffering aide Sugita is
also along for the ride.
When the M boys arrive at the hotel - oblivious to the fact they're
being stalked - they discover an interesting rooming dilemma. Yuusuke
has been given his own room, Nakamoto and Mikimaro a room and Arai and
Takagi a room to share. At first, Arai is happy that he's not rooming
with Mikimaro but then when he discovers its Takagi, he changes his
mind. Takagi needles him about acting like a kid, so Arai's pride gets
rankled and he basically says "fine then. Whatever." However, when they
discover the room has only one double bed, it's Takagi who's
desperately trying to get a room change! In the end, though, despite
much messing about, they're stuck with it.
The boys go to the sea and Arai, Yuusuke and Mikimaro go swimming while
Nakamoto (a self confessed bad swimmer) and Takagi (because of his
modelling career situation, apparently) sit it out and talk on the
beach. They are interrupted by Kusanagi, who wants to know why they're
not swimming.
Meanwhile, Yuusuke sees a girl in trouble in the water and hurries to
help her out, taking her to the shore and performing mouth to mouth on
her. This is perhaps the first and only time Yuusuke hasn't acted like
a complete baboon, so it's worth a mention.
That night the boys are relaxing in their rooms - Mikimaro insists on
trying on Nakamoto's glasses, Arai and Takagi are drinking beer
(Budweiser by the looks of it!) and Yuusuke...gets a knock on the door
from the said girl, who wants to thank him. She introduces herself as
Naruse Mayumi, and Yuusuke somehow manages to string the words together
to ask her to hang out with him tomorrow. She agrees.
Next morning, Takagi is fast asleep and Arai is trying to wake him up.
Heaven only knows what Takagi is dreaming about, because it comes very
close to a sleep-kiss moment bettered only by Yorihisa in Harukanaru
Toki no Naka De. Much to Takagi's embarrassment when he wakes up to
Arai's yelling. (And of course, it's not a secret for long).
Meantime Kusanagi is still spying, collecting photos of the boys and
bemoaning the fact Takagi hasn't gone swimming yet. The boys go to the
firing range - minus Yuusuke - although Nakamoto finds that pulling the
trigger is too difficult for him, much to Arai's amusement. As for the
missing Yuusuke, he's actually managing to have a spell with a girl
where he doesn't put his foot in his mouth. They agree to contact one
another once back in Tokyo, since it turns out they don't live too far
apart.
Chapter Three:
Ienakatta Kotoba
Arai and Kawazoe version 2.0!
Arai is having dreams about his last encounter with Kawazoe Haruka,
which - according to this canon -was a year and a half ago when they
were parted. Arai is mentally bemoaning the fact he had no chance to
tell his "real feelings" (the mind boggles). However, this is not a
subject he feels comfortable in confiding in any of his associates, so
they are none the wiser as to his sudden, abstract behaviour. And to be
honest, they're all rather distracted by an overly excited Yuusuke who
has a date with Mayumi. He keeps on talking about "double beds" and
asking Arai's advice, so I'm going to guess this is a not so subtle way
that Yuusuke's asking Arai's "courting" advice - shall we leave it
there? It
also transpires that Arai has a girl he's been seeing recently, called
"Yuria"
Meanwhile, Kawazoe has returned to Japan, arriving at Narita Airport
with his mind very clearly on Arai.
Back at the Seiryuu Academy, the boys are randomly discussing the
apparent folding of the Shashin-bu (Photography Club), of which Arai
was once a member (under Kawazoe's guidance and leadership). This is
similar to the original manga, in that Mikimaro explains to Yuusuke and
the others who Kawazoe Haruka is and that he's mixed race, like Takagi
- only half American, instead of half English. Somewhat nostalgic, Arai
heads to the room where the Club meetings were held, his mind once more
on Kawazoe. It's here he encounters Kawazoe himself, apparently bent on
a similar errand of nostalgia, and the two go for a walk in the city to
remenisce about old times.
There is a nice little flashback encounter here about Arai's joining of
the Shashin-bu, showing him in classic aggressive style. It's revealed
that the first fight he ever lost came at Kawazoe's hands, after he
answered back and gave a little bit too much lip to his senpai. Oddly
that seems to have been the root of their "friendship", since after
this Arai joined up with the Shashin-bu, and although he had arguments
with other members, he and Kawazoe became close.
During their chat, Arai's phone rings. It's Yuria, wanting to meet with
him, and although he tries to put her off, the girl is insistant.
Kawazoe ribs him a little about his current "girl" and decides to go
along to meet her, too. Arai is somewhat cold to Yuria, who acts
possessive and jealous on account of his attitude. All of this is
overseen by Mikimaro, who is concerned about "his" Arai being involved
with other people. When he sees Kawazoe, he recognises him, and more,
that Kawazoe's ear is pierced with a similar earring to Arai's. This
sends Mikimaro into a spin - and he hares back to the dorm with the
sudden idea that he's going to get a pierced ear as well. Yuusuke
thinks he's gone crazy - telling him it'll only make him look like a
girl - so he goes and asks Takagi for help choosing
one. Takagi also thinks he's crazy, but agrees, and Mikimaro returns to
the dorm with a pair of earrings in order to show Arai what he intends
to do - one earring for HIS ear and one for Arai's. Meanwhile Arai and
Kawazoe have agreed to meet up the next day.
Arai is first non-plussed, then decides to tease Mikimaro by
emphasising how painful piercing is and that he's no good at it, so
Nakamoto will have to do it. Nakamoto objects on the grounds that
"someone who isn't a doctor shouldn't be cutting someone else".
Mikimaro admits that he wanted Arai to pierce his ear, even though they
offered to do it in the shop, and Nakamoto points out that if he did
it, it rather defeats the point of the exercise. Yuusuke turns up at
that point, in search of more girl advice...asking Arai to go with him
the next day. However, Arai tells him he has plans, and Mikimaro asks
if he's going to meet with Kawazoe, revealing the fact he overheard the
conversation.
Arai goes to meet Kawazoe, and there's some more flashback about a
previous visit to the area where Kawazoe rescued Arai when he fell from
a precipice. (This seems to have been the first moment Kawazoe realised
Arai was important to him, hence the return to this place). Kawazoe
tells Arai about his real father being a photographer and that the
reason he went to Africa originally was to try and meet up with him -
he also talks about New York and working there. They have a minor
disagreement, and Arai, angry, takes off into the wilderness. However,
he misses his footing and falls, and would have gone headlong over the
cliff. Of course, though, Kawazoe catches him, pulling him back onto
the ledge. HOWEVER - Kawazoe himself falls, only just gripping on to
save himself from dropping the whole way. Arai wants to help him and
Kawazoe tells him to leave him - that he doesn't want Arai hurt as
well. Arai tells him basically not to be an idiot, and insists on
staying and pulling him up, yelling at him the thing he couldn't say a
year and a half earlier - "Are you going to leave me?!" ("
オレを置いて行くのか?") With that he hauls
Kawazoe to safety.
[
Scanlation 1]
Once the drama is over, Arai observes regretfully that he dropped his
camera again, and that there's no money for another. Still, they leave
things on a positive note - Kawazoe asking Arai if he might not spend
time with him again, with a camera, together... [
Scanlation 2]
Meanwhile, Yuusuke has managed to blow his date with Mayumi, which he
blames on Arai for being distracted. And when Arai goes back to school,
he takes Mikimaro to task for eavesdropping, threatening to pierce his
ears in the most painful way possible as vengeance!
第二巻 Volume Two
Chapter Four : Shimura-ke no Jijou (part 1 and 2)
This is printed as two separate chapter
parts (前編 and 後編 - or "before part" and "after part". However, since
it's all referring to the same situation, I'm going to just write about
it as one.
This chapter - as you can guess by the title - is largely about
Mikimaro and at last we get a glimpse into his past/family situation. I
was always curious about his
biography
in the
original manga, where it
said his mother was a famous actress and his father was unknown, since
in one of the drama CDs he tells Nakamoto and Yuusuke that his parents
"aren't his real parents". Those two things seemed to be at canon odds
- but this section reveals that's not the case, and why. Interesting
stuff for the chibi-M - read on :)
The chapter begins with a flashback to two years previously, with
Mikimaro at his home playing computer games (as ever). He's not alone -
there is an older girl with him, who we later find out is his cousin.
She's not a particularly nice person, since she has a go at him for
being a "given up child" and not a true member of the Shimura family.
This upsets Mikimaro and he heads out into the city, his mind absorbed
by this startling possibility. So engrossed is he in his thoughts, he
almost gets run over by a motorbike - driven by Arai. This is their
first meeting (although Mikimaro has known Arai's name since their
first day, it's the first time Arai learns Mikimaro's.) At first angry,
when he realises how upset Mikimaro is, Arai is fairly supportive of
him and cheers him up. He has his camera with him - this is, after all,
back in his Shashin-bu days - and he takes Mikimaro's picture. We're
then shown a scene with Mikimaro going to the Shashin-bu with Arai and
"fangirling" over Kawazoe a little because of Kawazoe's success in
competitions. Arai gives him the photo he took and Mikimaro keeps
it...it becomes a "treasure" of his because it was taken by Arai.
Back to the present day, and Yuusuke catches Mikimaro fawning over the
picture. Yuusuke thinks its of a girl, but is confused when he
discovers its nothing of the kind. Later, in the classroom, another
student tells Mikimaro he has a call from home and he hurries to take
it. He speaks to his father, who tells him that he wants him to come
home during the next weekend, and that the reason is...he and
Mikimaro's mother are apparently getting divorced. Mikimaro's a bit
shattered by this, but agrees to go home and see his family.
Shortly he also gets a letter from his mother on much the same topic,
which confirms what his father has told him. This sparks off memories
of those accusations from two years ago - about him being a "given up
child".
Meanwhile, Seiryuu Academy is having a Parent's Day (or something of
that nature - 父兄会) and there's some discussion about people's
backgrounds and families (including Yuusuke waxing lyrical about
Kanazawa). Arai notices Mikimaro seems distracted and asks him what's
up. However, as Mikimaro is about to tell him, Arai is distracted by
Yuusuke and the fact that a famous film star just turned up outside in
the school grounds. (I do not want to know why a film star suddenly
appeared in the middle of the school grounds - draw your own
conclusions about that!). Her name is "Takizawa Mai", and it turns out
Yuusuke is a big fan of hers, although he thinks she;s a lot younger
than she is. He heads off to get her autograph, taking Mikimaro with
him, and Mai happily signs Yuusuke's book. Then she hears someone call
Mikimaro by name and she freezes, suddenly startled. An odd look on her
face, she asks what Mikimaro's surname is, and Mikimaro tells her,
nonplussed. Hesitantly Mai signs his card, but its clear she's rattled.
Back in the dorm, Mikimaro is playing games but not really
concentrating, causing Yuusuke to demand to know why he's spaced out.
Mikimaro comments on how Yuusuke always seems to be happy, and Yuusuke
tells him that's not the case. Mikimaro tells him that he doesn't know
if his family will come to the Parent's Day - that he's going home on
the weekend and will find out then.
So Mikimaro goes home, and that unpleasant cousin girl is there,
calling him "Miki-chan" and being a regular pain in the butt. (We also
now discover her name is Sawada Natsumi). She comes on to him strong,
(I mean strong), saying how cute he still is and how "adult" she now is
and stuff like that. Mikimaro pushes her away, telling her angrily that
he doesn't kiss people he isn't in love with. Angry, she turns on him,
calling him on his "past" again and telling him that his parents have
discussed divorce for some time but can't settle who's going to be
responsible for Mikimaro...she indicates that neither of them really
want him because he's not their 'proper' son. Distraught, Mikimaro
yells at her and runs off, passing his startled parents on his way out.
He runs for a while, winding up in the road again - and guess who's
coming by on his bike? Arai! So they have another little heart to
heart. Mikimaro tells Arai about Natsumi and what she said and did, and
Arai is sympathetic but tells him he should've taken advantage of the
girl's advances. Mikimaro tells him firmly that he's decided that he
wants Arai to be his first kiss, which Arai is a little less amused by.
So, back at the school, and Nakamoto is watching the news when he sees
Mikimaro and the actress Mai on the show. He wakes Arai and together
they watch this report on Mai's apparent secret child. Arai is really
angry and - much to Nakamoto's confusion - hares off to "keep an eye
on" Mikimaro. The press are surrounding the school hoping for a scoop,
and Mikimaro is holed up in his room with Arai and Yuusuke as his
protectors. Mikimaro really doesn't know at this point if it's all true
or not. However, during this time someone comes to tell him his parents
have come to see him, and he's afraid to go speak to them. Yuusuke
suggests that he and Arai will go with him and Mikimaro likes the idea,
but Arai puts a stop to it, saying that if Mikimaro doesn't face his
problems himself he'll never be a proper man able to deal with things
for himself. So Mikimaro goes alone, and the others all gather to wait
for him. We don't see the conversation between Mikimaro and his
parents, but when he comes back, he is emotional and glad his friends
have held out for him to return. He tells them he's "all right now".
Outside, he shows them a locket which has a picture of him with his
birth mother - the actress Mai - and tells them that no matter what his
"parents" love him. It seems he was given up to protect Mai from a
scandal. He believes that somewhere his real mother is also watching
over him (so he bears her no grudges).
During this chapter, Takagi seems to turn into Mr Cliche - "There's no
smoke without fire"..."There are mountains and valleys in life"
etc...causing Arai to call him an "old man" :)
Chapter
Five: "Last Dance"
When I was reading this chapter I had a vague sense of something
familiar about it, but I couldn't pin my finger on what it was or why I
felt that way. Anyhow, that musing aside, this is Takagi's chapter. :)
Geek note : Last Dance is the title of one
of the "M" songs that was released on Mini-disc.
Whether there's a direct correlation or not I don't know, but if
there's a chapter which focuses on one individual character that has a
song name in the title, it's usually Takagi.
This chapter begins at the company
headquarters of one Mitsuse Junichirou, who seems to be a big-wig in
the hotel business, running a group called the "KouYou" group. At the
start of the story, he's discussing the possibility of playing host to
the Princess of a place which (I hate katakana place names) seems to be
called "Sanmari"
Language/Katakana
note here: The name of the place is given as サンマリー (SANMARII).
The Japanese for the country "San Marino" is very similar to this,
being "サンマリノ" However, the last "no" character is not used in this
volume of the manga, making me wonder if it's meant to be San Marino or
someplace else completely. I hate
Katakana place names! For the sake of argument, therefore, I'm
going to call it Sanmari and leave it at that. Draw your own
conclusions :S).
Right. Back to the plot. The Princess (her name is Isabella, or
"Izabera") is due to visit and a reception is going to be held in her
honour, basically. Mitsuse calls Takagi to his office (for anyone who's
forgotten/not read the original manga synopses, Mitsuse Junichirou is
Takagi's effective guardian since his mother's death) to tell him about
it and to ask him to come along. Takagi is surprised, but agrees, and
Mitsuse takes him to find a suitable outfit for the occasion.
After their meeting, Mitsuse offers to take Takagi back to the school,
but Takagi tells him he'd rather walk and get some air. Truthfully he
wants to try and figure out why Mitsuse is so keen to have him at a
Princess's reception.
On the walk back, he collides with a young girl with (its black and
white art, but it appears to be) blond hair, who speaks to him in
English. (Well, it's Japanese, actually, but it's written in different
script, so lets play pretend a while and assume it is English). Takagi
(remember, he's half English himself) responds to her in the same
tongue and the girl is relieved - at last she's found someone who
understands her language! The girl introduces herself as Riza (Maybe
Liza), and when Shimon asks where she's from, she just says "far away."
She then falls asleep on him, and Takagi, seeing nothing else for it,
takes her back to the dorm until she wakes up.
Nakamoto sees him return with her, but for now, doesn't mention it to
the others.
When Riza wakes up, Takagi gives her a drink and tells her he has some
things he wants to ask her. Before he can, however, there's a knock at
the door, and Takagi - realising how it'll look with a girl in his room
- panics a little about what to do. Riza wants to open the door and
greet whoever it is, completely clueless about the situation, and
Takagi tells her firmly that this is not a good idea (!). It's Arai at
the door, wanting to know why he didn't come to the cinema with them
like he'd planned, and Takagi is evasive, doing everything he can to
get rid of his classmate. Eventually he succeeds, leaving Arai
non-plussed and annoyed by Takagi's uncharacteristically flustered
behaviour.
Takagi realises it'd be safer to take Riza out into the city now she's
awake, and they head into Shibuya where Riza comments on the amount of
people. Takagi buys her a hamburger (its the first one she's ever
tasted, which Takagi thinks is odd). She also talks about being tutored
in things such as manners and etiquette and that she's always being
mentored in something, which Takagi also thinks is odd. Riza blushes,
telling him she's probably said too much, and Takagi observes that
she's an unusual kind of girl - but that that isn't necessarily a bad
thing.
Meanwhile, Mitsuse and company are concerned that Princess Isabella
appears to have disappeared (Oh yes, you see where this is going, don't
you...?)
The next adventure Takagi and Riza stumble into is ice-cream buying,
where Riza doesn't realise she has to pay and Takagi has to step in to
rescue her. When he tries to explain it to her, she thinks its some odd
Japanese custom, which makes Takagi even more befuddled about what kind
of person Riza is. He asks her outright and she gets emotional, saying
that she's always dragged all over the place doing this and that but
all she wants is to spend some time out having fun with people in a
normal kind of environment. Takagi is touched by her sudden tears,
(he's a big softy at heart) and he takes her back to the dorm again. He
plays music for her, about which she asks more questions, and the
subject of family comes up. Takagi tells her that he has no parents,
and Riza asks if he's lonely. He says that he is, but that he has good
friends so it's not so bad. Riza says that she has a friend now too -
Takagi!
Riza winds up spending the night in Takagi's room, and when a nightmare
wakes her, she asks if she can sleep with him. It's an innocently asked
question (she literally means sleep) and Takagi is taken aback, but he
agrees, seemingly having become rather protective of her even though
they've only known one another a day.
Meanwhile, Nakamoto has finally broken his silence and told the others
what he saw. Arai immediately puts pieces together and realises that
this girl is the reason Takagi was acting so oddly before. They hurry
to confront him, but find Takagi alone in his room - Riza has gone.
That night, the car comes to collect Takagi to take him to the
reception. There he's greeted by Mitsuse and introduced to Princess
Isabella, who just happens to be - yep, Riza. Riza asks if she can have
the last dance with him, and Takagi agrees - although neither one of
them give away the fact they've already met before. During the course
of the evening, Mitsuse and Riza have a little chat and Mitsuse refers
to Takagi as "
aitsu" (a fairly
informal way of saying "that guy" or "that boy/girl". Riza queries it,
and Mitsuse smiles ruefully, then admits to her that he's Takagi's
father - although there are various complicated reasons why he can't
tell Takagi that fact outright. Riza tells him she's glad - that if
Takagi has someone like Mitsuse as his father, he'll be okay.
Then she and Takagi dance. Riza doesn't tell Takagi Mitsuse's secret -
in fact, they don't seem to talk at all. Takagi reflects that they
probably won't meet again, but that he'll put the memory of meeting her
into a song....and that she'll always be a special person in his
thoughts. (Aww).
Chapter Six: A
Happy New Year In Kanazawa
As the title suggests, this chapter belongs to Yuusuke no Baka.
Although I actually don't think he's quite such a baka in this chapter.
For some random reason, aside from the name of the city, the title of
this chapter is written entirely in English :S.
It's Winter Break, and for some reason unknown to the other M boys,
Yuusuke has invited them all to Kanazawa for the New Year period. The
story opens with them all freezing on the station waiting for Yuusuke -
who's late - as they wonder why it is they let themselves get talked
into this trip after all.
Once on the train, Yuusuke is unusually quiet, and there's a brief
flashback referring back to just before he left High School. In this
it's revealed that his father's allowing him to go to Tokyo to study
but that in three years he'll have to come back to take up his rightful
place as his father's successor in the hotel chain...something which
Yuusuke seems less than keen to consider. When the subject of food
comes up he perks up somewhat, however the other boys have noticed that
he's not his normal self, and think it's odd.
On arriving in Kanazawa, they go to the hotel which Yuusuke's mother
and father run (Yuusuke's mother is the "okami" or the hostess, whilst
his father is the head chef). Yuusuke's two sisters (older one called
Masumi and younger one called Ai) are also there, and greet him and his
friends eagerly. This is the point where you find out that there's a
reason Yuusuke acts like an eager puppy most of the time ^_^.
To begin with, Masumi and Ai (and Yuusuke's mother) are convinced that
Mikimaro is a middle school student, because of his small stature, and
Mikimaro gets quite heated about it, pointing out that no, he's a third
year and he shares a room with Yuusuke back at school. Masumi and Ai
both get very excited too when they discover Arai's father is the
fashion designer "Yoshiki Arai" and that Takagi is his mysterious model
"Shimon", and they want to know all about them. Then Yuusuke manages to
reveal the fact that Mikimaro is the son of a famous film star, and
that gets them all eager to run and call all their friends to tell them
about the guests they have staying with them. (Mikimaro's situation is
supposed to be a secret, so Yuusuke runs after them telling them not
to.)
At dinner that night, the boys realise how good a chef Yuusuke's father
is, and they all eat well. Yuusuke's father asks to see Yuusuke after
dinner, and Yuusuke hesitates, then agrees. However, instead he goes to
help his friends set up their room with futons - saying that even
though there's only room for four futons, it wouldn't matter if he
squeezed in and shared. His companions object to this, however -
telling him he'll have to go and sleep in his own room because there's
no space for him. Nakamoto reminds him of his father's request, and
Yuusuke acts like he hadn't realised it.
The next morning, Yuusuke's Dad asks him why he didn't come, and
Yuusuke blows him off. His Dad wants to talk about his future, and
Yuusuke's not buying it. Instead he heads off into the hotel grounds to
an old tree that, as a child, he spent a lot of time climbing. There he
encounters Nakamoto, who admits overhearing some of the conversation
between father and son and who asks him if he brought the rest of them
to Kanazawa to try and distract his father's attention away from the
subject of his future. Yuusuke admits it and apologises, but Nakamoto
says it doesn't worry him, if that's the case. Yuusuke confides in
Nakamoto, saying that as the eldest son his father and his family
expect him to follow in the family footsteps and he just doesn't want
to do it. Nakamoto tells him that he's in the same position - that his
father expects him to be a doctor, marry a suitable medical family wife
and continue the sequence. (Wow, Yuusuke and Nakamoto have something in
common!).
At that point Mikimaro comes racing to find them to get them to rescue
Arai and Takagi, who are being mobbed by Masumi and Ai's friends
(Takagi even having his hair pulled out as they take souvenirs of
having met him!) On returning, Nakamoto discovers Ai with an injured
cat, who - being Nakamoto - he's immediately concerned about helping.
His knowledge on the subject impresses the young Ai, who says that Arai
and Takagi are cool but Nakamoto is too.
That evening the subject of Yuusuke's future comes up at the dinner
table, almost causing him to choke on his food. Perhaps because of the
chat with Nakamoto, or because it's been flung at him so suddenly, he
snaps, telling his father that he's not going to come back to Kanazawa
after he graduates and that he's not going to be a part of this whole
preplanned destiny thing. He says that he loves Kanazawa and wants to
live there but that he's not going to be forced into a lifestyle he
doesn't want. He runs off, and his father tries to go after him, but
collapses, clutching at his chest.
Fortunately his father's collapse is not life-threatening, but his
mother is worried - not only about him but about Masumi, who also
disappeared around the same time. Arai and company offer to go help
find them, and Yuusuke's mother gratefully agrees. Nakamoto says he
knows where Yuusuke probably is, and will go and fetch him, and Takagi
goes with him. Arai heads off in a different direction (with Mikimaro
clinging determinedly to his arm!) to find Masumi. Masumi, it turns
out, is engaged in a secret rendezvous with a young man called Kouji
who currently works under Yuusuke's Dad and who has a true interest and
talent for following in his footsteps. Masumi is trying to persuade him
that, since Yuusuke's vetoed it, it would be the perfect opportunity
for Kouji to accept that role of successor, for them to be married and
for her to follow in her mother's path as okami in the future. Kouji is
reluctant, however, because he feels that - considering Yuusuke's Dad's
feelings - he'd be betraying his employer by acting that way. (It seems
that Yuusuke's Dad is unaware of Masumi and Kouji's relationship).
Arai and Mikimaro interrupt and tell them to go back to the house
because Masumi's mother is worrying about them. There Masumi tells her
her feelings regarding Kouji and the future, and Yuusuke is all for it
as a potential solution to his problem. Unusually wise for once, he
tells his mother that everyone has the right to choose their own path
to be happy and that she's never disagreed with her husband's way of
thinking but that maybe it's about time that she did because otherwise
it's just going to bring unhappiness. This seems to sink in with her,
because when her husband recovers, she tells him about Masumi and Kouji
and even indicates that she thinks it would be a better idea to let
them do as they wanted and become the successors to the business, as
Yuusuke isn't keen. At length, Yuusuke's father agrees, much to
Yuusuke's evident relief!
The story ends with the boys talking about returning to Tokyo - Takagi
wants to write a song, Nakamoto is worried about the cats, etc - and
Yuusuke protests that they can't leave him on his own. Arai says
they'll leave Mikimaro with him, and Mikimaro protests that he doesn't
want to stay behind with just Yuusuke for company. This causes a
dispute between them - normal service is resumed!
第三巻 Volume Three
Chapter Seven: Birthday
It's Takagi's birthday (we presume, his eighteenth, though
with Takagi it's impossible to know anything like that for sure) and
amid a mountain of presents, he and Arai are having one of their usual
bantering matches about who is more popular. Into the midst of this
comes a student with a strange letter addressed to Takagi, sealed with
an odd seal. It invites him to take a boat to Angel Island - and that
he can bring his friends along - for a special birthday trip. He's not
totally sure if he can be bothered to go - but Arai goads him into it,
and they all head off to join this funny little boat to head off to
this mysterious angel island place.
This chapter is really, really odd...until you know what's going on,
then it's odd and funny ^_^. On board the boat, lots of odd things
happen. A strange old man gives them a long and spooky tale about the
history of Angel's Island, and Takagi keeps seeing people that he is
sure he's seen before, he just can't place who they are. They're called
to dinner two hours earlier than usual, and before they can eat, Takagi
and Mikimaro discover that the kitchens are - er - quite a disgusting
place, so they decide that eating is probably better left alone for the
time being. They're sitting and talking (and throwing up, er...I
think..Mikimaro...) when the lights go out and everything is plunged
into black. Yuusuke volunteers to go to the front of the ship to look
for a solution to the problem, and Nakamoto goes with him, saying its
risky to go alone in all the darkness. Yuusuke agrees, and they go.
Moments later the lights come back on in the cabin, but Nakamoto and
Yuusuke don't reappear. They wait for a while, but begin to worry -
where have their friends got to? In the end, Mikimaro and Arai go
looking for them, and Takagi is left on his own. During this time he
has an odd encounter with a "woman" in dark glasses, who asks if she
can lean on him for a moment, but apparently - er - bites him (as in,
vampire bites him). Takagi manages to fight her off, retreating to the
safety of the cabin. He decides to go look for his friends, too -
finding Nakamoto and Yuusuke unconscious on the deck of the ship. As he
gets to them, Nakamoto rouses up somewhat, telling him that he doesn't
really remember what happened after they went looking for help. Then
Arai and Mikimaro appear, but they're acting strange. Arai tells Takagi
"Die!" And lunges at him, and Takagi fights him off, throwing him over
the side of the boat. Mikimaro then attacks Takagi, but Takagi manages
to snap him back to his senses. They get Nakamoto and Yuusuke to the
cabin, however then Mikimaro goes strange a second time, and as if
under a spell Yuusuke and Nakamoto also rise from their beds, telling
Takagi to come with them into the darkness. Takagi is pretty freaked
out by this point - well, you can't blame him!- when Arai (who's a
little wet) also appears and joins in the zombie party.
Just at the point where Takagi is about to lose his wits completely, he
finds himself surrounded by various people from the boat. Except
they're not from the boat at all, but people from the school. The
vampire lady is actually Kusanagi, the old man is the drama club leader
Ugusuitani (or however his name is spelt, I never can remember) who was
involved in the animated OVA. Sugita and Mikage are there also, and
Takagi discovers that his friends have all been taking part in an
elaborate play in honour of Takagi's birthday. (Apparently scaring him
to death is a good present, it seems). Kawazoe is also there, because,
of course, Kusanagi wants pictures of it!. At first Takagi is angry,
but Nakamoto explains that they did it because he'd seemed bored lately
and they wanted him to have a birthday to remember. (Er, well, I think
he'll remember it...). Takagi says he's surrounded by mean people, but
Arai points out that he's still happy about it, in the end. And they
all share a drink and toast Takagi's birthday (I hope there was
something strong in his, because I think he needs it...)
Chapter
Eight: Internet
On a completely
different note from the previous chapter, this one has a far more
genuinely sinister touch to it. Someone is posting nasty rumours on the
Seiryuu Academy homepage about the M boys - most specifically about
Arai, but also odd bits and pieces about the others and about a teacher
called Iwaseki-sensei (who is their Home Ec teacher. That must be a fun
class...heh). It begins with a rumour about Arai and the teacher having
an affair, but it soon becomes more directly personal - I have to
admit, some of the things are pretty unpleasant. Takagi is accused of
being a cross-dressing gay who (if I'm reading the nuances right) "sold
himself" before he transferred into the Seiryuu Academy. Mikimaro's
focuses on his secret mother (who everyone seems to know about anyhow)
and erm...I don't really want to write what it says about him and Arai.
Yuusuke's focuses on his bad marks and the fact he's an idiot even
though he leads the basketball team. Nakamoto's is to do with the cats
he loves so much (it says that he's a weirdo, too). Arai's, on the
other hand...this time focuses on something Arai himself isn't aware
of. That his father is friends with the school Principal and that no
matter what bad things Arai does, he'll never be kicked out because of
it.
This makes Arai wonder about his entrance to the Seiryuu Academy - and
whether it was all fixed up like that, even though he rebelled so hard
against going. This idea rather hurts his pride...
Over the course of the next few days it gets worse. Accusations appear
on the site about Arai's relationship with Kawazoe (Erk), and also
about his father and family situation. (When Mikimaro asks him if these
things are true, he admits "partially", although he never divulges any
further information to any of the M boys in that regard.) Eventually,
Arai's had enough,
and is resolved to get to the bottom of it. The M boys talk and
Nakamoto says that the homepage is controlled from the School Council -
the Kusanagi Palace. So Arai goes there to demand some answers from
Kusanagi and Sugita. Oddly, he doesn't seem to have any problem
mentioning Kawazoe to them - which may be a throwback to the drama CD,
as Kawazoe and Kusanagi were old classmates and - in the drama CDs -
Kusanagi seems to know a lot more about his interest/involvement with
Arai than is clear in the manga.
At the Kusanagi Palace, Arai discovers that a photo album of Kusanagi's
has been stolen. Remember a few chapters back he was taking illicit
pictures? Apparently it's a much wider spread thing, and the theft of
this book has provided the ammunition for the secret poster to spread
all kinds of vicious rumours. Sugita is worried about what will happen
if people in the school discover Kusanagi has such a "hobby", whilst
Kusanagi just wants his book back. And Arai, fed up with their
uselessness, tells them that he'll find the perpetrator himself. And
his buddies tell him they'll help.
The boys sit and
discuss the facts - realising that the book must have been taken during
Kusanagi's recent birthday party, when lots of strangers were inside
the Kusanagi Palace. At this point, Takagi realises the time and
scurries off to his modelling meeting, because he's already running
late. After having his pictures taken, he is in Matsunaga-san's office,
talking to her about his ability to juggle his schoolwork with his work
as a model, and he's looking through the stuff on her desk. Among it,
he finds a picture from a year previously, and a familiar face catches
his eye. He asks Matsunaga-san about it, and she tells him it was taken
on a company holiday, a year earlier.
Back at school, Takagi storms the Kusanagi Palace and demands to know
certain things about the night of the party from a slightly bewildered
Sugita. On confirming his suspicions, he and his posse gather to
confront their suspect...the teacher, Iwaseki!
As the course of the 'interrogation' goes on, it transpires that
Iwaseki was once working as a designer for Arai Yoshiki, but that not
only did she get dropped, she also wound up losing her marriage in the
process. Bitter, she swore revenge and so came to the Seiryuu Academy
with the intention of targetting Arai Tougo, believing it would hurt
her old employer. (Arai bitterly observes to himself at this point that
she was on the wrong tack, since Arai Yoshiki treats his son - in
Tougo's view - as nothing more than a toy, someone he only turned up to
see as a child when he wanted to give instructions about how things
were going to be done).
So, thanks to the boy's investigation, the situation is settled and
Iwaseki-sensei leaves the school. The security on the site is
tightened, and Arai sets straight (heh) some of the issues by posting
on the site that he's currently between girlfriends and looking for a
girl with whom to hang out...! (Anyone think he's trying to cover up
something...??)
Chapter
Nine: Oretachi no Senritsu
Yay, it's a Nakamoto chapter! (Ahem). And a Takagi one
t'boot.
This chapter opens with Arai in the "Sugar Moon" bar, where he's turned
up (before it opens) to chat to the "Master".
(Editor's note: In Japan, the
word "Master" is used to denote someone who runs a bar or such like -
it's taken from the English and written as such in Katakana.
Consequently the man's name is not revealed in the text).
The Master asks
Arai if he knows anyone who plays the piano, as his usual pianist has
been called home for a few months to deal with some urgent family
issues. Arai has a good think about it and remembers that both Nakamoto
and Takagi play piano, although he settles on Nakamoto as the target
because apparently of late his roomate has seemed somewhat out of
sorts. (It's sweet, somehow, his concern...) He tells the Master that
he might know one or two people, and that the next night he'd bring
them along to the club so he could hear them out.
Back at the dorm, Arai puts his idea before Nakamoto, who is quite
literally horrified at the prospect of playing in public. Even though
he's learnt since he was a kid - and is consequently quite good - he's
very shy of performing in front of strangers. He says that Takagi would
surely be a better choice, but Arai tells him that he wants it to be
him because he seems to need something to take his mind off whatever it
is that's bothering him. Nakamoto is surprised by this, but eventually
agrees to come along to the bar and meet the Master.
This he does the next night (very
funny scene here with Arai handing him a motorcycle helmet and telling
him to get on, and Nakamoto kind of staring at him blankly then
asking..."HOW exactly...?") On hearing him play, the Master
agrees that he's definitely good enough. For Nakamoto it's an unusual
buzz, and as he and Arai discuss the fact afterwards, they are
approached by a man bearing a business card - he calls himself Horikawa
(I think, don't have the book in front of me to check) and he says he's
involved in music production and would like to speak to them some more
about music. He asks if Arai plays anything, and Arai admits that he
played bass guitar for a while, but hasn't recently. They take his
card, but are a bit suspicious of his motives, so resolve to ask Takagi
about this guy when they get back to school.
So the next day, this is what they do. Takagi recognises the name from
his days playing with his band, and offers to go speak to him and find
out what the deal is. Nakamoto and Arai agree. (I have to admit that
Takagi's actions in this part of the story sort of make me want to
shake him, but anyhow, leaving that aside for the minute...) Takagi
goes to the company and reacquaints himself with Horikawa. They discuss
music and Takagi admits he's no longer actively involved in a band but
that he'd like to be. Horikawa discusses with him the possibility of
taking part in some local music competition, and indicates that he's
"too good" a player to play with amateur people like Nakamoto or Arai
but that he has better potential to play with another band. Takagi
agrees to bring his guitar to the next meeting and they'll discuss
things. (Bad Takagi...!)
Meanwhile, grades have been posted for the mid-term examinations and to
everyone's shock, Nakamoto is eleventh in the rankings. Noone can
understand this, because Nakamoto has always ranked top. Arai thinks
its his fault for arranging the Sugar Moon job, but Nakamoto says that
it's more to do with him and his father. Before he can say any more,
however, at that moment he's called to the teacher's office because his
father has appeared and wants to speak to him. A flaming row ensues, in
which Nakamoto-sensei demands to know what his son is playing at, why
he's dropped so far in the rankings after being top for so long, how he
expects him to get good grades to follow in his footsteps - yada yada.
This is maybe one of Nakamoto's best scenes in the whole of the manga,
because it actually shows his true stubborn spirit underneath all of
his logical, calm behaviour. Nakamoto-sensei criticises Arai and blames
his influence for Nakamoto's faltering grades. Nakamoto gets angry at
this and tells him not to speak badly of his friends. Nakamoto-sensei
slaps his son across the cheek - sending his glasses flying - and tells
him exactly what he expects of his son. To which Nakamoto flares up -
like father, like son - and informs him that if it's anyone's fault,
it's his father's and that the doctor's selfish attitude is forcing him
into this corner. Then he storms out in high dudgeon, leaving the
doctor and the teacher standing staring after him.
Takagi's meeting at the music company also doesn't go as well as he'd
hoped, since he overhears Horikawa talking to his colleagues about him
and using him in some capacity to guarantee his key act winning the
Young Artists Contest. Takagi is indignant about this - he doesn't want
to be a tool for someone else but to follow his own dream for his own
love of music. So Horikawa challenges him to win the competition under
his own steam, and Takagi takes it on. (Whoops.).
Back at the school, Nakamoto has sought refuge with his cats, and is
thinking over the situation, reflecting on Arai's concern for his
recently being in a constant slump and his dropping grades - for which
he blames his Dad. The nuances of his thoughts are a little difficult
to read into - he's thinking about his stepmother Kyouko and an affair
that's apparently the cause of his father and Kyouko moving towards
divorce. From the way it's said, I think it's something Nakamoto-sensei
has done, not something Kyouko (or Kyouko and Nakamoto, dare I say it)
has done - but to be honest, it's a bit ambiguously written :S Arai
finds him there and Nakamoto asks if it's time to go to work at the
Sugar Moon. Arai tells him that today they're going to skip off and go
for a ride on his bike instead. Nakamoto is startled, but Arai tells
him that he needs it to clear his head, and Nakamoto agrees.
The story ends with Takagi and his musical dilemma. He's decided that
he's going to approach his classmates in the hope they'll help him in
his challenge. Knowing that Nakamoto plays keyboard, and discovering
that Arai plays bass, he's determined to make this work and begs them -
along with Yuusuke and Mikimaro - to help him take part in the Young
Artists Contest. Mikimaro and Yuusuke are immediately excited about the
prospect. Nakamoto says he's happy to do it - because he's recently
been playing in the Sugar Moon, he thinks that so long as his part is
keyboard, he'll be all right. Arai comments here on how he's changed,
much to Nakamoto's discomfiture. Arai eventually agrees to help Takagi
out as well, and so the concept of "M" is born...
(Apparently it's okay that Mikimaro
and Yuusuke haven't seen instruments before - anything's possible in
the world of manga, ne?)
第四巻 Volume Four
Chapter Ten:
Yume no Tsuzuki o
Sagashite
Editor's note: Yume no Tsuzuki o Sagashite was a song release by E.M.U
which formed their penultimate single release before the splitting up
of the band. The song in this chapter that Takagi writes upon realising
how important his friends' contributions are is the same song - since
the lyrics appear in the manga. What did I say about Takagi, song
titles and chapter names...??
M
is officially born! This chapter leads on from the end of the previous
volume (which is actually rare in Sotsugyou M manga) and catalogues the
boys as they begin to work on being a band in order to enter the Young
Artists' Contest (the date of which is running ever closer). Arai digs
out his bass guitar, Mikimaro and Yuusuke get all excited when they're
told they're going to play drums and guitar respectively (remember, in
the manga, Mikimaro plays guitar and Nakamoto plays keyboard, unlike in
the real life band set up/drama CD appearance of M). Takagi, however,
is taking this pretty seriously. Music is, after all, his number one
dream and he's very intense about it. He doesn't want them to play a
cover track, but instead he intends to write them a song particularly
for the concert.
He plays to them a song he wrote called "Last Dance" (probably the song he
wrote for/about Riza in the earlier volume, and likely it's intended to
be the actual mini-disc release
"Last Dance") and they're
suitably impressed, although Arai objects to it being a ballad, and
that that's not what they're going to try and do this time around.
Takagi agrees, and says he'll write a rock track for them to play at
the contest - in the meantime, they need to get down to work. (They
have much to do!).
Of course, the others begin to lose their shine a little when they
realise that Takagi intends them to do nothing but practice every day
between then and the contest (no games for Mikimaro, etc). He's also
putting himself under a lot of pressure, by trying to write the perfect
song and yet somehow not being able to do it.
Things get progressively worse in band practice, as Takagi becomes more
and more impatient with his companions and the fact they don't seem to
be moving along as fast as he'd like them to be. He criticises Yuusuke
for making the same mistake over and over again, he tries to shift
around people's instruments and positions, commenting that Arai can
sing and he's not bad looking so he might make a good front man, etc.
Eventually he reaches breaking point and lets slip the true motive
behind his angst - that he feels he has to beat Horikawa, no matter
what. At this, Arai flares up and lashes into him, telling him that
they're not here to be his tools for winning or losing competitions,
but to help him do something that was important to him. He says that
he's ready to quit, and Nakamoto and Mikimaro back him up. Takagi finds
himself left alone in the studio...whoops.
Later that day, Takagi is in his room when there is a knock at the
door. It's Yuusuke. (Brace
yourselves, Yuusuke is about to do something perceptive and insightful.
(gasp).) Takagi is surprised, especially when Yuusuke drags him
off to the gym and starts shooting hoops. But then the point of
Yuusuke's intervention becomes clear. He tells Takagi that in some ways
he understands how he feels - that when he plays in competitions he
wants to win against the opposition no matter what. But he then says
that it's a more important competition than that - that truly the
competition is a more personal one. The person that he's always
competing with is himself, to better his own skill - not to prove
himself to other people. Takagi is struck speechless, and Yuusuke
pushes his point home - that in the end, that's what matters most.
Takagi takes this on board, and returns to his room where at last he
has inspiration for the song. He decides to go and give it one more try
with his friends, to see if they can do this the proper way, not just
as a means to win the competition. He goes and grovels to them, and
eventually even Arai gives in and agrees to give M one more chance.
Takagi plays the song to them, to help them understand where he's
coming from, and they set down to learn to play it.
The day of the contest comes, and they play, to a great reception. As
the winners are announced, however, M don't feature among them - the
band Horikawa fronted has won the competition overall. However, as
they're about to head off in disappointment, an additional announcement
is made - that for their spirit and potential, M have won a special
award. (Yes, M are special. Aw). This makes Takagi happy, and even more
determined to follow his dream...it also makes the others happy because
they've done something fun as a team and come through it well. The
chapter ends with the lyrics to the song "Yume no Tsuzuki o Sagashite."
Chapter Eleven: Fallin' Angel
This is maybe the most sobering chapter
of all of the M chapters - and I mean that. It's hankies at the ready
time.
Arai has fallen off his bike, and wound up being dragged by Nakamoto to
his father's hospital just to make sure he hasn't done anything
serious. Arai thinks its a waste of time, and hates hospitals anyway,
but Nakamoto has still forcibly managed to bring him there (somehow!).
After establishing that his injury isn't serious, Arai doesn't want to
wait around for the results of his tests so he goes out for a walk in
the hospital grounds. There he catches a young girl climbing out of the
window of her room. This girl doesn't seem at all worried at having
been seen, instead asking Arai to help her get out of the grounds
without being seen. His curiosity piqued, Arai agrees, and they slip
out of the hospital grounds together.
The girl introduces herself as "Akina" and Arai - who has had enough of
the hospital - agrees to hang out with her in town for a while. They go
to a local park and (erm) imitate the Titanic (Leo Di Caprio eat your
heart out) with the whole scene on the bridge with the girl and the guy
(I haven't seen the film, but I can't imagine anyone alive doesn't know
what scene I mean...) Akina seems to have a strange obsession with
death and doing daredevil things, including jumping in front of a lorry
(from which Arai saves her, kind of ticked off at her risk-taking). It
turns out that she's only fifteen, but she definitely has a
preoccupation with the fact that life ends and that it should end in an
exciting way. Their antics make Arai's leg bleed again from his earlier
injury, and Akina offers to tend it for him. As she does, Arai sees her
bag is full of medicine and he asks her about it, half thinking they're
illegal drugs of some sort. Akina tells him that she doesn't like
taking medicine but that she has to - if she doesn't, she'll die. Arai
apologises for his suspicions, and Akina shrugs and tells him that it's
not a big deal to her. They go to a pizza place and Akina wants to
order everything on the menu. This makes Arai angry ,as he thinks she
only wants to spend time with him to use his money, but Akina gets
upset at this and tells him that it's not like that at all. In the end,
Arai relents and they exchange cell numbers.
The next day, Arai gets a call on his cell from Akina and agrees to
meet up with her. Despite the fact it's a school day (as Nakamoto
points out), he skips off to go hang out with her in the city. They
talk about birthdays and things - Arai knows what starsign he is, which
is scary, as it turns out he and Akina have the same one. They also
have the same blood type (spookiness). They head off to the beach on
Arai's bike...
Meanwhile, back at school, his friends are concerned about him skipping
off a class...again. Nakamoto even mentions that there's a risk of him
failing and having to repeat if he doesn't pull his act together.
Nakamoto also says something quite cryptic at that point, along the
lines of, "Maybe even I'll have to..." but when Mikimaro asks him what
he means, he grins and says it's nothing, turning the subject back to
Arai. (This is the first clear clue as to what Nakamoto's doing, more
of which is clear in the next chapter).
Arai and Akina go to a florists, and while talking about the flowers
Akina mentions how beautiful they are but how short their existance is
before the petals scatter. Arai is irked that she's talking about death
again, and wants to know why it is she's so obsessed with it. They
argue, and Akina pushes him away, running off. For some reason, this
leaves Arai pretty shattered...
He doesn't hear from Akina for a further week, but when he does, he's
in class (answering his phone in class, again, and he just walks out
without listening to the teacher yelling!) She asks him to take her
somewhere private that they can be alone. Arai takes them to his family
home (evidently everyone's out of the country at this point!) and they
settle down in front of the fire. What begins as an innocent enough
sitting and chatting situation becomes a kiss, and then...(ack,
Arai-kun, she's still only fifteen!) it gets a little bit more than
that. Akina is self-conscious because of the firelight and she hides
her face, but Arai tells her she shouldn't because she's really pretty.
Akina tells him noone's called her that before, and asks him to say it
over again, so he does. And again. LOL :) He also tells her he loves
her (this guy has some major issues when it comes to his emotional
attachments!). The subject comes around to death again,
and Akina then tells him she's frightened - she's crying. Arai tells
her that she shouldn't think of those things and that he'll make all
her doubts go away (er, at this point, fade to black...?)
When he wakes, Akina is gone, and try as he might, he cannot get in
touch with her on his phone. Days go by and he hears nothing.
Eventually, desperate, he asks Nakamoto for help, remembering that it
was his father's hospital that he first encountered the girl. Nakamoto
is reluctant at first, especially when Arai says all he knows is that
her name is Akina and nothing more, but when he realises how desperate
Arai is he agrees, telling him he'll do what he can.
When they next speak about the topic, Nakamoto has some information,
but...it's not all good. He's discovered who the girl is - her full
name is Takahara Akina. However it turns out that she was in hospital
with a serious medical condition that required a transplant that she
had not been able to receive. Consequently the girl had passed away -
the day before. Arai is distraught, unable to believe it, and he runs
off, despite Nakamoto trying to call him back.
Arai goes to Akina's funeral, still not fully believing what's
happened. There he encounters her mother, who tells him that before she
died, Akina kept saying his name "Tougo" over and over again. Arai is
particularly struck by this fact, and as he goes out to the grave, he
is in full floods of tears (poor, poor Tougo!). Finally understanding
the girl's preoccupation with death, he goes back and takes flowers to
her grave some days later, where he imagines that he can hear her voice
on the wind, asking him once again to call her beautiful. He places the
flowers on the grave, inwardly resolving that even though he only knew
her for a few days, she made a mark on him and he's never going to
forget her, and that he feels she's still there with him, somehow. And
then, as if she was really
there in front of him, he says it one last time...
"You're beautiful".
Chapter
Twelve: Oretachi no Sotsugyou
Or not, as
the case may be. Since in the manga canon, only three of the five boys
actually manage to make it to graduating.
This is the concluding part to the M story - tying everything up into a
nice neat (heh) bundle. Yet it actually starts in the Kusanagi Palace,
with Kusanagi drawing cards to see what his future holds. Apparently by
drawing the joker he decides that this means he's going to make Arai
his (lets not even go there - poor, long-suffering Sugita has another
problem on his hands).
Back in the school, preparations are beginning for graduation, as
everything is beginning to wind down for the end of term. But when Arai
and Nakamoto discover they've been left out of some of the Graduation
stuff, questions start to be asked - not least by them. Nakamoto,
although he hasn't said anything directly to any of his classmates
since his fight with his father, is inwardly worried that his drastic
actions may have been too drastic in the end - we discover here that
since his argument with his father he's basically abandoned all exams
for all classes, submitting blank sheets as a form of protest against
his father's iron will. (I said he was stubborn, didn't I?) Although he
acknowledges to himself that it might have been childish, he's realised
that if he doesn't do it now, he'll never be able to break out and
establish himself as an individual. But he's a bit worried that he's
gone too far and accidentally managed to fail his third year. (Whoops.
Miscalculation overload).
At this point we discover Yuusuke is all excited because apparently
he's been called by the NBA (er, well, remember, he might be an idiot
but he IS good at basketball) and that he might end up playing pro in
America (remember what I said about manga and anything going?) Mikimaro
is horrified because he'd pictured them all going on to Seiryuu's
University together as a group of five after High School graduation.
Then Takagi breaks the news that he's going to Los Angeles to pursue
his musical studies, because it's the best place for him to be.
Mikimaro is even more upset by this, even to the point of tears.
Nakamoto and Arai are then called to the teaching lounge to discuss
the situation with their teacher. He confirms Nakamoto's suspicions -
Arai's attendance issues and Nakamoto's er...interesting exam technique
have led to them both failing their third year, making them "ryuunen" (repeat year students).
Although the teacher is sympathetic to Nakamoto - he says that
submitting blank sheets is still unacceptable and that because of this
situation neither one of them can take part in the graduation
festivities. Instead they'll both have to just do their best next year.
Back in the dorm, Arai asks Nakamoto if he's all right, and Nakamoto
admits he'd already suspected that the situation was that way. Arai
owns that he has, too. He says that his own family won't care too much,
but remembers that Nakamoto's family have high expectations (so
apparently Nakamoto has confided somewhat in Arai, after all!).
Nakamoto says that he's "dragged his family's name through the mud" now
by not achieving his father's dreams and going straight to the top
medical school (name eludes me) to become the next member of the
illustrious medical family.
At this point Mikimaro bursts into their room to demand if the rumour
is true and that they've both failed. Nakamoto tells him its true, that
both he and Arai are "ryuunen" and so can't take part in any of the
graduation things because of this. Mikimaro admits that he isn't
surprised by Arai failing, but that Nakamoto has is a big shock. He
asks what happened, and Arai tells Mikimaro that Nakamoto had various
situations that were responsible, without being specific. Mikimaro is
upset he didn't know that there were things going on, and Arai tells
him that it's Nakamoto's business, not anyone else's. Mikimaro objects,
saying that "we're all friends, aren't we?" Arai gets quite heated at
him, and Nakamoto has to tell him to calm down. Mikimaro flees the room
in tears, upset that even Arai doesn't understand how he feels.
In the grounds, he encounters Kawazoe (who has been called there by
Kusanagi to be involved in his evil master plans in some way), and
winds up telling him everything (that Arai has failed, that he likes
Arai and that had he known, he would have failed too so he could stay
with him.) Kawazoe tells him not to be foolish - and that he has to
accept that life is about meeting, parting and meeting again. He tells
Mikimaro that he needs some space to work out the truth for himself
about his life and his future, and that he's not going to force Arai to
fit into Mikimaro's wishes. (This is so ironic, considering...).
Kawazoe then goes to the dorm to speak to Arai, who is surprised to see
him. They head outside to talk, and Kawazoe asks him about the ryuunen
thing. Arai admits it, and Kawazoe mentions that Arai won't be able to
stay in the dorms after this. Arai confirms that, and Kawazoe suggests
Arai comes to live with him instead. Arai is taken aback, and says that
the idea would make him happy, but that he can't abandon Nakamoto to
his own devices since he feels partly responsible for Nakamoto's
failing. He says that he wants to "stick by his side" until the day
comes when he's reached his own conclusions/understanding about what he
can do. Kawazoe accepts this, commenting on how he's become thoughtful
of other people all of a sudden, but says that if he needs to talk
about things, he can come talk to him. Arai looks very happy about this
^_^.
As he leaves, he's accosted by Kusanagi, who also has plans for him -
he suggests that Arai and Nakamoto move into the Kusanagi Palace for
their ryuunen year, and Arai is a leeetle bit put off by the hidden
motives in his senpai's attitude. So he refuses, heading back to the
dorm.
Back at the dorm room, Nakamoto and Arai discuss their position. Arai
asks how Nakamoto's family took the news, and Nakamoto admits they're
at an impasse, since neither he nor his father seem likely to give way
on what they want. He says he's not going to make any apologies, so
things have pretty much stalled. He asks about Arai, and Arai admits
that his family have more or less given up on him, so it's not a big
deal to them. Nakamoto mentions that they have to quit the dorms and is
talking about all the things he needs to plan now - finding a room to
rent, a part time job to pay for it and his school fees, etc. Arai says
that with the two of them, they'll manage it, and Nakamoto stares at
him, surprised that Arai is thinking in terms of them doing it
together. Arai tells him he's not going home, and that they'll help
each other out...and Nakamoto grins, and agrees.
Graduation day comes closer and Arai decides that even as ryuunen,
they're not going to miss out on it. The others apparently feel the
same, turning up at Arai and Nakamoto's room - as Takagi says, they'll
be split up soon enough, so they might as well do one last thing
together. Consequently, Nakamoto and Arai (particularly Arai) crash the
graduation address for "M" to play one last song - ironically entitled "Oretachi no Sotsugyou" (Our
graduation).
Editor's
note: Oretachi no Sotsugyou was E.M.U's last single release, and
although it is generally thought of as an E.M.U release, it's credited
to the characters of "M". The lyrics to it - or at least, part of it -
are the closing finale to the final chapter of the M+ manga.